The Hindi web series Rangeen, streaming on Amazon Prime Video since July 25, 2025, arrives with an audacious concept that immediately grabs attention. Directed by Kopal Naithani and Pranjal Dua, and written by Amardeep Galsin and Amir Rizvi, the show stars Viineet Kumar Siingh as Adarsh, a middle-aged newspaper editor whose life unravels after discovering his wife Naina’s (Rajshri Deshpande) affair with a gigolo, Sunny (Taaruk Raina). In a twist that blends dark humor with emotional turmoil, Adarsh chooses to exact revenge by becoming a gigolo himself. This premise, brimming with potential to explore themes of masculinity, betrayal, and self-discovery, sets high expectations for a fresh take on relationship dynamics. However, despite its bold intentions, Rangeen struggles to find its footing, leaving viewers with a narrative that feels more scattered than cohesive.

The series kicks off with a vibrant trailer that promises a mix of comedy, drama, and emotional depth. Adarsh’s journey from a small-town journalist to a reluctant sex worker is initially engaging, offering glimpses of humor and heartache. The show attempts to tackle heavy themes—marital strife, fragile egos, and societal judgment—but falters in execution. The narrative oscillates between quirky comedy and intense drama, never settling on a consistent tone. This indecision dilutes the emotional weight of Adarsh’s transformation, making it hard for viewers to fully connect with his journey. Critics note that Roshi Deshpande’s understated performance as Naina adds nuance to the betrayal, but the script’s lack of focus prevents deeper exploration of her motivations. The show’s ambitious attempt to juggle multiple plotlines, including Sunny’s personal struggles, further muddies the central story, leaving many threads unresolved.

Viineet Kumar Siingh, known for his intense roles in films like Gangs of Wasseypur, brings sincerity to Adarsh. His portrayal captures the character’s internal conflict, particularly in a poignant hotel room breakdown scene where he confesses his love for Naina. However, the inconsistent writing sometimes leaves him stranded, oscillating between flat and overly dramatic expressions of Adarsh’s crisis. Rajshri Deshpande shines in her limited screen time, infusing Naina with a raw, unapologetic hunger for meaning beyond her constrained life. Taaruk Raina’s energetic performance as Sunny adds charm, especially in his witty exchanges with Adarsh, but his character’s arc— grappling with job loss and personal identity—lacks a satisfying conclusion. The supporting cast, including Sheeba Chaddha and Smita Bansal, delivers solid performances, but their roles feel underutilized due to the cluttered narrative.

From a technical standpoint, Rangeen has its strengths. Nigamendra Bomzan’s cinematography lends a rich visual style, and Sagar Desai’s music complements the emotional beats. However, the editing by Abhijeet Deshpande is a significant weak point, with episodes stretching beyond 40 minutes, filled with unnecessary subplots that drag the pacing. The nine-episode run feels laborious, and the lack of a clear resolution in the finale leaves viewers unsatisfied. For a series centered on male sex work, the intimate scenes are surprisingly restrained, leaning more suggestive than raw, which undermines the realism of Adarsh’s journey. The show’s world feels polished and artificial, missing the gritty authenticity needed to fully immerse viewers in its bold premise.

Rangeen aims to delve into complex themes—male ego, female desire, and the emotional disconnect in modern relationships. Viineet Kumar Siingh himself emphasized the show’s intent to highlight the need for emotional “updates” in relationships, reflecting on how societal taboos stifle open communication. Yet, the series only skims these ideas, failing to probe the psychological or philosophical depths of its characters. Adarsh’s transformation could have been a profound exploration of identity and vulnerability, but it settles for surface-level realizations rather than transformative epiphanies. The show’s refusal to dive into darker, more introspective territory leaves it feeling like a missed opportunity to challenge conventions meaningfully.

Rangeen, meaning “colorful” in Hindi, promises a vibrant exploration of human emotions but delivers a muted experience. Its bold premise and talented cast are let down by inconsistent writing, tonal shifts, and poor editing, resulting in a series that feels directionless. While moments of brilliance—such as Viineet’s raw emotional scenes and Rajshri’s nuanced portrayal—shine through, the show’s inability to weave its ambitious themes into a cohesive narrative leaves it as a half-baked endeavor. For fans of Viineet Kumar Siingh, Rangeen offers glimpses of his versatility, but for those seeking a daring, thought-provoking drama, it falls short of its potential.

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