Moonwalk plot: A breakdance performance at a temple festival captivates a group of regular men in a tiny Kerala village, who then choose to dance. Moonwalk is all about their trip to learn, master, and completely dominate it.

Following the powerful but amusing blow that Naslen and company delivered in Alappuzha Gymkhana earlier this year, it is now time for Sibi Kuttappan, Anunath, and Manoj to ignite the dance floors. Although the idea is straightforward, the execution and presentation are outstanding.

The film opens with a great setup by filmmaker AK Vinod, transporting us to the little hamlet of Thumba on the outskirts of Kerala's capital. The use of prominent Thironantharam slang creates a shared atmosphere that brings people together from different religions and communities. We even see allusions to Rahman, the original dance star from the 1980s Malayalam film industry.

Vinod has also co-written the script with Mathew Varghese, drawing inspiration from actual events in the breakdance subculture, which is reflected in the relatable characters we see on television. Shaji (Manoj), Jake (Anunath), and Shibu (Siddarth) are all excellent representations of young people who discover their passion and pursue it wholeheartedly.

The pre-degree students (it was the 1980s, not plus two) master the wave, popping, and other breakdancing moves during the first hour, even though they don't have a real instructor. They call their club Moonwalkers, in honor of the dance move that Michael Jackson made famous.

The funky hairstyles and the single dangling earring, as they attempt to emulate their icon, are all too evident as the boys introduce the dance styles to their friends and relatives as well.

Even when we catch brief glimpses of their family stories and the love interests that make you grin, the movie stays on track and doesn't stray. Despite our worried parents, we don't see any exaggerated displays or heightened feelings simply for the sake of it.

The creators made certain that, even amidst all the chaos, the character and narrative arcs are given the attention they deserve and are not overshadowed by the dancing frenzy. The movie also emphasizes the class distinctions and the value of a spotless pair of white shoes, not only for Sura but for his whole family, who eat their meals on the floor.

The retro-style movie really picks up speed in the last 30 minutes and ends with a flourish that will have you up on your feet as well. The last dance is pure gold, full of emotion, and the choreography is exquisite.

The film is made better by Prashant Pillai's energetic score. Particularly, the wave song is notable and well depicted. The spirit of the seaside community and the jazz of the dance floor are also beautifully captured in Ansar Shah's frames. Dhanya Balakrishnan also deserves a shoutout for dressing the kids properly without trying too hard to replicate the 1980s atmosphere.

Acclaimed director Lijo Jose Pellissery, who has produced Moonwalk, should also be commended for supporting stories that must be shared.

The verdict on the moonwalk is that Vinod AK's picture, with the lively Sibi Kuttappan, Anunath, Manoj, and the rest of the group in the lead, is still entertaining and captivating from beginning to end. Moonwalk is definitely worth your attention for its truthful narrative and energetic performances, even if you aren't a big fan of breakdancing or dance in general.

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