The story of the movie Maareesan:

After being released from prison, Dhayalan (Fahadh Faasil), a thief, resumes his old ways. At one point, when he breaks into a home to steal, he finds Velayudham Pillai (Vadivelu), who claims to have Alzheimer's disease and that he is shackled to the window. Velayudham will be persuaded to disclose his ATM pin under the guise of taking him to Tirunelveli, and Dhayalan will then steal his cash. However, is he being seduced into anything more serious or is he actually succeeding?

A critique of the film Maareesan:

We watch a police officer in the opening scene put a rat trap in water in an attempt to eliminate the animal. The man removes the trap from the water and unlocks the door, certain that the rat is dead, but the rat just flees back to its life. Consider the instance of Maareesan, a character from the Hindu epic Ramayana who transforms into a golden deer in order to win over the men in the tale, allowing Sita to cross the Lakshmana Rekha. Whether it be the rodent or the mythical figure, both examples raise questions about the ethics of acting like a fool or being alluring. However, when the question being asked concerns a bigger picture, where do morality reside? The movie, Maareesan, also follows this course.

Falling into the two men, two tales, two path but one journey genre, Maareesan is a fusion of road trip drama and slow-burn thriller. Maareesan comes close to pulling off the one-liner, even though flaws obstruct its course. Tamil cinema has had great success with earlier versions of this kind of statement. We first learn that Dhayalan is a thief who is carefree. He holds the view that his stealing is not a sin but rather a way for him to teach others the importance of being vigilant about being duped. Velayudham Pillai, played by Vadivelu, is an enigmatic character who appears to be a helpless Alzheimer's sufferer seeking assistance from the majority of people while carrying a lot of money.

In the first half of the course, we travel along the road and observe the two protagonists discussing an equation that is quite different from their previous journey in Maamannan. It can be a little overwhelming to keep track of the route because there are so many pitstops. The sections of Maareesan are far more than the sum of its parts, and it transforms into one of those movies that wants to capture the present. The drill will occasionally stick to the drill, but other times it will become quite stretchy. The title is given its due credit in the second half, as the true motives are revealed. The second half is made up of a string of murders, a noble cause, and unforeseen disclosures.

Tamil cinema has long felt more confident in addressing societal challenges, which has led some movies to overexploit these issues. Thankfully, Maareesan doesn't want to utilize the pictures to portray the horrible aspects of the crime it wants to discuss. You need a few examples and a mention from hearsay to figure out the movie's subject. When things start to catch up, the predictability soon follows. But it was still wonderful to see Vadivelu in his non-comedic persona, especially given that Kovai Sarala got to do the same, even with her restricted screen presence.

Maareesan has its shortcomings. Spending time investing in the lives of Dhyalan and Velayudham is necessary. The emotional hook is either anticipated or manifests itself when it is revealed. Additionally, it employs a somewhat roundabout approach to comprehend the overall picture. The movie relies on moments rather than cohesion. a movie that depends on tiny specifics rather than providing a complete story. The film's deliberate pace, which leads to a slow burn, is neither a benefit nor a disadvantage. Maareesan makes an effort to try something new and maintains a humble attitude throughout, even if it ends up being your cup of tea or not at all.

Verdict on the film Maareesan:

Two of the pillars supporting Maareesan in a somewhat successful slow-burn thriller are Vadivelu and Fahadh Faasil. The thriller takes over the drama for a time before it takes over. Maareesan is a unique approach to writing and production because it discusses the reason without exploiting it for images or compassion. Despite some low moments, the movie makes up for it with its skillful execution and great acting. Maareesan wins over its audience with its appeal, which may not be for everyone, but it has a particular vibe that makes it a novel approach.

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