The much-anticipated release of Power Star Pawan Kalyan’s They Call Him OG was, predictably, a celebration of epic proportions. The film's opening day was marked by the kind of electrifying atmosphere that only a major Indian superstar can generate—fireworks, dancing, and a near-festival buzz. Yet, amidst the fanfare proving OG's colossal craze, an alarming incident in a Bengaluru theatre has thrown a stark spotlight on the darker side of extreme fandom, sparking a fierce debate about the limits of adulation.

The Shocking Act in Bengaluru

During the "First Day, First Show" screening in a Bengaluru theatre, the celebratory hysteria reached a shocking and destructive crescendo. Videos circulating online show a group of highly-charged fans rushing the screen and allegedly tearing the expensive projection surface with a sharp object, reportedly a sword, mid-screening. The damage was immediate and severe, forcing the theatre management to halt the show abruptly.

This act of vandalism instantly ruined the experience for hundreds of other ticket holders and inflicted a substantial financial loss on the theatre owner. While the screening was reportedly resumed after a delay and a concerted effort to restore calm, the viral footage served as a shocking reminder of how quickly passion can devolve into reckless chaos.

Public Backlash: Disrespect and Disruption

The digital world was quick to condemn the destructive actions. While the unmatched enthusiasm for the ‘Power Star’ is an established reality in Tollywood, netizens have unanimously slammed the behaviour as reckless, disrespectful, and utterly unacceptable. The central criticism focuses on two key points: the audacity of bringing a weapon into a public space, and the sheer lack of regard for the shared viewing experience and private property.

Social media users pointed out the hypocrisy of celebrating a star by damaging the very property that provides the platform for his film. The act is seen not as devotion, but as a dangerous display of entitlement that disrupts the peace and fun for everyone else. This incident adds to a troubling history of property damage, including incidents of tearing screens and uprooting seats during previous major film releases, underscoring a recurring challenge in managing fan euphoria.

Drawing the Line: Where Does Fandom End?

The controversy surrounding the OG screening necessitates a crucial conversation: How far is too far when celebrating a movie or a superstar? The unparalleled devotion to cinema icons in India often elevates them to demigod status, inspiring elaborate, emotionally charged celebrations. However, the line between passionate fanfare and outright hooliganism is clear: when a celebration infringes on the safety, financial well-being, and enjoyment of others, it ceases to be a celebration.

While the box office success of They Call Him OG is a testament to Pawan Kalyan’s enduring appeal, the lasting image from its release day may unfortunately be the sight of a shredded screen. The film industry, theatre owners, and fan associations must work together to channel this powerful energy into constructive forms of celebration, ensuring that the love for a star never supersedes the basic principles of public decency and respect for law. The message is simple: enjoy the spectacle, but protect the screen.
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