Hari Hara Veera Mallu review

Cast: Pawan Kalyan, Nidhhi Agerwal, Bobby Deol, Sathyaraj

Director: Krish, Jyothi Krisna

Star rating: ★★.5

The length epic Hari Hara Veera Mallu paints each the titular individual and its lead actor, Pawan Kalyan, as larger-than-existence figures who can hardly ever do any incorrect and could usually discover a manner to store the day. By the stop of the Krish and Jyothi Krisna-directorial, one can`t assist however marvel wherein Pawan the Deputy CM ends and Pawan the actor starts offevolved while the movie is discovered to be all approximately protective dharma.

Hari Hara Veera Mallu story

Veera Mallu (Pawan Kalyan) is an outlaw for lease whose information lies in stealing jewels from the grasping and redistributing wealth to the needy – he`s pretty Marxist like that. But nearly like a long-misplaced brother of Comrade Acharya (Chiranjeevi withinside the 2022 movie), he`s additionally the saviour of dharma, a person who realises the danger the usa faces withinside the Mughal rule, in particular because of Aurangzeb (Bobby Deol). What begins offevolved out as an epic quest to retrieve the Koh-i-Noor for the Qutb Shahi dynasty in Golconda quickly twists and will become some thing a lot more, with Veera`s genuine motive discovered. The juxtaposition and transition among those  absolutely separate plot factors is jarring.

Hari Hara Veera Mallu review

Pawan`s Veera Mallu is probably a Robin Hood-fashion outlaw at the surface, however because the layers are peeled back, he`s proven as a mystical tamer of tigers and wolves, rider of horses on treacherous roads, switcher of accents among Andhra and Telangana, now and again even time periods, conservator of wildlife…at one point, you even marvel if he controls the weather. All this will be buyable, particularly due to the fact all of us understand business cinema heroes can do it all, if the movie`s writing and VFX weren`t a large letdown. I need to agree with Veera is safeguarding his unusual little motley group from threat as they tour from Golconda to Delhi, however the execution doesn`t prevent my thoughts from giving in to the reality that it`s all taking region in the front of a inexperienced display screen in Pithapuram.

HHVM had the capacity to be a a laugh tale approximately an outlaw who`s avenue clever however may be hoodwinked given the proper circumstances. It may paintings because the tale of a larger-than-lifestyles saviour who's searching out for the country`s goodwill. Instead, what you get is a mishmash of each that receives tiring because the movie progresses. Most of the movie simply looks as if one elevation scene after some other to show off how superb Veera is, wherein that changed into already installed sufficient in his first scene. I do now no longer want to peer him shop a pregnant girl and a baby from the clutches of evil colonisers after I`ve already visible him do a little quite not possible things. Veera`s person is likewise given grace that no person else withinside the movie is: he`s infallible.

It has been some time due to the fact Pawan regarded involved sufficient to play a function well. Maybe the remaining time he turned into invested turned into in Attarintiki Daredi (2013). He refreshingly appears inclined to present his pleasant to Veera Mallu. Unfortunately, time and the writing aren't on his side. Nidhhi Agerwal`s character, Panchami`s romantic song with Veera, infrequently makes you sense anything. The handiest time Panchami registers is whilst she`s proven as greater than a naive Devadasi, handiest for her to morph lower back right into a weepy girl. Bobby`s Aurangzeb comes throughout like a token villain who is all bark. The ridiculous ending, putting in place matters for a sequel, handiest makes it worse. MM Keeravaani is the actual saviour of this tale, together along with his tune injecting intensity even in flat moments.

To sum it up

HHVM has been in manufacturing for over 1/2 of a decade, and whilst the makers had their very own mountains to climb, the movie simply looks like a wasted opportunity. Where Laxman Utekar`s Vicky Kaushal-starrer Chhaava succeeds in making you root for the resistance in opposition to Aurangzeb`s tyranny, this movie meanders whilst pretending to have a cause for it all. Does HHVM have moments in which you spot the potential? Sure. But a tale like this wished a deft hand, which it lacks.

Read Also: Kamal Haasan Applauds Fahadh Faasil’s Maareesan: A Film That Evoked Laughter and Deep Thought
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